Captain America: Civil War 2016 Following the events of Age of Ultron, the collective governments of the world pass an act designed to regulate all superhuman activity. The Incredible Hulk Opening Theme Youtube. Hitfix counts down the 25 greatest tv opening credits sequences of all. Watch Home Online in HD Date Released .

Captain America: Civil War — a spoiler- filled post- film chat. Marvel’s Captain America: Civil War hit theaters this weekend, and thus far, the film’s combination of hero- on- hero violence and ideological exchanges is striking a chord with viewers and critics. But it’s been daring audiences to "pick a side" for months, so The Verge’s own Bryan Bishop and Tasha Robinson sat down (at their keyboards) to figure out whether Civil War lured them to #Team. Cap, #Team. Iron.

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Man, or #Team. We’ll. Have. To. Wait. Until.

Next. Time. To. Know. For. Sure. And in case it wasn’t clear, let’s make it crystal: we’re going to talk spoilers. Bryan Bishop: Civil War is finally here!

People fight! People get hurt! Nobody dies because they have to save something dramatic for the next two movies! But War Machine’s injuries aside, I’ve been able to watch the movie twice now, and I found myself having two pretty different reactions depending on which hat I put on: the emotional moviegoer (it’s a visor), or the journalist (fedora, obviously). Steve Rogers drove me crazy in this movie. The emotional moviegoer in me was fully on- board with Tony Stark throughout this entire film — but not because of his guilt- driven decision to support the Sokovia Accords (though I understood why he, feeling adrift without Pepper, would have gone down that path). It was mostly because of Captain America’s stubborn insistence to help Bucky at all costs. Bucky potentially blew up a building?

Whatever. Killed a bunch of people as a brainwashed Hydra agent? Meh. Keeping Bucky out of psych evaluation means burning bridges with some of his fellow Avengers? Later, folks. Steve Rogers drove me crazy in this movie, and that’s exactly the kind of reaction directors Joe and Anthony Russo (not to mention writers Christopher Markus and Stephen Mc. Feely) are going for. They want to hit you hard, in the gut and in the heart, and whether you love or hate what Captain America is doing, that emotional pull keeps the movie cooking.

Start digging down, though, and the seams start to show. I’ll leave my second set of reactions for later, but which direction were you tugged in? Watch Killer Mountain 4Shared on this page. Marvel Studios. Tasha Robinson: First off, let me say that I hope your journalist fedora has a press card sticking out of the brim, so you look like a '4. Second, I had my fangirl hat on for this whole movie. It’s a propeller beanie, because a fedora wasn’t retro enough for me.) That is to say, I didn’t watch the movie critically the first time through: I just sat back and let myself love the big, creative fight choreography and the "Whee, we’re showing off our powers!" action and the hero- vs.- hero drama. And I’m willing to forgive a lot of the silliness that enables the action.

But man, it’s some serious silly. Motormouthed snark and bone- deep sense of duty. I didn’t go into this movie with a side picked, because the marketing hype around #Team.

Cap vs. #Team. Iron. Man has been so annoying. Whipping fans into a mock- frenzy over which side they want to be on in a debate they haven’t heard yet is just self- serving commercial nonsense. Still, I was a little predisposed toward Tony Stark, because his particular blend of motormouthed snark and bone- deep sense of duty has always resonated with me. Also, he’s just more fun to watch onscreen than Steve Rogers, with his scoldy pure- and- Puritan vibe.

Besides, in advocating for the Accords, Tony is coming down on the side of responsibility, accountability, and democracy, right? All good things, I would think. But when it came down to the way the film actually treated these things, I’m on #Team. They’re. Both. Idiots. I’m down with Captain America’s loyalty to Bucky, but what really bothered me, from both Steve and Tony, was the way they charge into battle with each other, and drag others along with them, with minimal consideration of what they’re really fighting over. Watch Foreign Land Online Facebook. They spend one hot second debating the Sokovia solution, but neither of them can even consider the other’s perspective, or admit that the Accords might take some work and compromise. Like Ultron in Avengers 2, they both rush to action without making a convincing argument for that action.

Does it bother you that they’re both being angry meatheads? Or is that just the necessary price of the big airport throwdown? Bryan Bishop: That was definitely when the other shoe dropped for me.

Both claim the moral high ground, yet both demonstrate the same desire to blow up things (and relationships) and put innocents at risk. Hell, Tony Stark recruits a freakin’ high schooler off a You. Tube video. High fives for Spider- Man and all, but imagine the scene where Aunt May elevator- ambushes Stark if things at the airport had gone wrong. Both Marvel and DC’s cinematic worlds have been interested lately in the consequences of superheroes’ actions, and it’s a potentially great driver of story and character — but there’s a disconnect between that concept and the actual movies themselves. I’d have had much less issue with Captain America (or Stark, for that matter) if they were simultaneously struggling with how to deal with some larger, global threat — you know, the usual "Marvel villain of the week that’s trying to blow up the world." In that scenario, all these stakes scale quickly, and rushing into action isn’t just forgivable — it’s an imperative."We're still friends, right?"Instead, the the focus is on the Accords as an idea, which focuses the movie on friendship and relationships, but never provides a great reason for the fight sequences everybody wants to see.

If anything, it makes them unfathomable. There’s that moment where Hawkeye is fighting with Black Widow, and says "We’re still friends, right?" And that’s the thing: if they were friends, they would have talked about these things before it came to a punching free- for- all. The fact that they didn’t makes them come off as socially inept at best, sociopathic at worst. And now that we’re talking about it, isn’t that actually a fantastic argument that they should all be monitored or put out to pasture?

Marvel Studios. Tasha Robinson: I’m with you on the heroes’ need to be monitored. I got a huge thrill out of Black Panther in this film, and I can’t wait for his solo movie, but he’s a political nightmare in Civil War. Here’s a vigilante who ignores national borders and legal protocol as he sets out to murder a superpowered individual for purely personal reasons, based on extremely sketchy evidence (and with no concern for the people or property damaged in the process). Absolutely no one in this film should be backing his play, especially the people calling themselves heroes. His vendetta is exciting, but it isn’t remotely defensible.

And it wouldn’t be even if Bucky had killed his dad. But his irrational behavior is necessary to move the plot along. The fundamental conflict in Civil War isn’t between hero teams, it’s about Superhero Smackdown Fun vs.

Behaving Like A Goddamn Grown- Up. If Steve, Tony, et. Watch Die Hard Online Movies24free more. UN about Steve’s entirely sensible concerns about being hampered during global catastrophe, while waiting on votes and debates. They’d use their considerable celebrity and charisma to drive a better solution through diplomacy and politics.

They’d insist on fail- safes, to keep the Avengers from being compromised and used like SHIELD was in Captain America: The Winter Soldier. It's about Superhero Smackdown Fun vs. Behaving Like A Goddamn Grown- Up. But what kind of movie would that make?

No one’s showing up to Civil War hoping for a rousing six- hour UN Security Council session. The biggest problem with Tony Stark’s accountability argument for signing the Accords isn’t that they’ve been assembled hastily and he isn’t questioning them: it’s that he risks coming across as a killjoy who wants to shut down the action and adventure that makes MCU movies fun for fans. To make the film exciting, communications have to break down into violence. Here’s the thing: both Steve and Tony are making all kinds of dumb mistakes here, but I don’t mind.